Been thinking about this article a lot since it appeared in the May issue of Artforum. Serious. The ways in which cinema is changing right now has led to a lot of good conversations between myself and A: what effects this could have on the way in which cinema is presented, and how this may effect its extrinsic narrative structure, i.e. the way in which its fictive space is generated by a theater (more on that later). In this article, John Kelsey kills it re: the implications of 3D to cinema in a film such as Alice and Wonderland.
